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(Editions Mego, 2020)

We first stumbled upon Joseph Kamaru’s womb-like world while reading a rundown of the records that helped Patricia Wolf deal with her mother-in-law’s death. “This song is a recent discovery for me,” she wrote of the revelatory KMRU single. “It resonates with the current place I am in with grief. It says to me, ‘Life […]

Run With the Floating,
Weightless Stillness

(Drut, 2020)

Earlier this year, Kel McKeown regained the rights to an old Kelpe record (2010’s Margins 12”) and reissued it on his Bandcamp page with a revealing note: “This is what I used to sound like.” No kidding. While that EP revolves around neon-lit rhythms and laser-cut dance loops, Run With the Floating, Weightless Stillness — […]

(Biophon Records, 2020)

The latest Biosphere LP to receive a proper reissue through the producer’s Biophon imprint may not be his most iconic effort (Cirque and Substrata land on more far more best-of lists), but that doesn’t make it any less essential. First teased in 2005 on Touch, the record started out as a six-track survey of slow-moving film […]

Concentric Records
On… Insen and
Trans-Millenia Music

In the spirit of Concentric Records’ recent self-titled playlist, Simone Merli (Soundwalk Collective) and Luca Calo (Born In 1986) also broke two of their favorite ambient records down in detail. Both set the scene for the label’s opening gambit (the three-part compilation Profile of the Lines) beautifully, as if they’d just been asked to reveal […]

Andrew Tuttle On…

Words ANDREW TUTTLE There’s definitely recent albums I could just as easily write about, but I want to allow myself more years with them, so I’m going to write about a record that I’ve had well over a decade to get acquainted with. I couldn’t tell you exactly when I first heard Playthroughs (Kranky, 2002), […]

Steve Roach
Structures From Silence
(Fortuna, 1984)

It doesn’t take long for Steve Roach to lull most listeners to sleep — or at the very least, a semi-comatose state — on Structures From Silence. Originally released in 1984, and expanded into an essential three-disc edition 30 years later, this is as good as the ambient icon gets — three lush, synth-led pieces […]

Roger & Brian Eno
Mixing Colours
(Deutsche Grammophon, 2020)

When it comes to ambient music, there’s often a fine line between dreadful and devastating, boring and beautiful. Brian Eno has ridden it for a while now, beginning with his bedridden 1975 breakthrough Discreet Music. Largely inspired by a hospital stay that left him listening to music at a level so low he couldn’t perceive […]

Nils Frahm
(Erased Tapes, 2020)

It’s hard to think of a more intimate, and raw-sounding Nils Frahm record than the one he released last Saturday to celebrate Piano Day. Dropped without warning — like a tree falling in a forest with no one around — Empty was originally played on a solo upright piano in the summer of 2012 as […]

Kazuya Nagaya On…

Words KAZUYA NAGAYA I’m not really sure if I could call this ambient music. It is essentially contemporary music, but it would be fine to call it that in a broader sense. All of Arvo Pärt’s albums enthrall me with their overwhelming beauty: Tabula Rasa, Alina, Arbos, Te Deum. But I picked Triodion (Hyperion, 2003) […]

Niklas Paschburg On…
Goodbye to Language

Words NIKLAS PASCHBURG When I was asked to pick my favorite ambient album I first thought about Brian Eno.  I discovered the ambient genre through his music and he is still my favorite ambient producer. However, in the last couple of years another album slowly took over as my favourite, and it’s called Goodbye To […]

Improvisational Loops
(Music From Memory, 2018)

The central piece (“Nuwav2”) on Terekke’s beat-less Improvisational Loops record lasts for nearly 20 minutes, long enough to lose yourself in its formless mist. Which makes sense; the album’s earliest stages actually stem from yoga classes at Brooklyn’s sorely missed Body Actualized Center, which founder Brian Sweeny (see also: the roaming Ambient Church series) once […]

Speaker Music On…

Words DEFORREST BROWN, JR. I first heard Vladislav Delay’s Anima around 2014. Back then I was a chronic insomniac, and worked closing shifts with a near two-hour commute from Manhattan to the suburbs of outer Queens, which afforded me a lot of time to decompress and catch up on music releases as well as experience […]
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