Terry Riley
In C
(CBS, 1968)

A mesmerizing piece of peerless minimalism — arguably the first of its kind — Terry Riley’s In C maintains a sense of forward momentum that can’t be stopped, one that starts with the Pachinko-like pluck of a piano and quickly spirals out of control. No wonder why Adrian Utley’s Guitar Orchestra and Acid Mothers Temple & […]
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Claire Rousay On…
Patience

Words CLAIRE ROUSAY Theodore [Cale Schafer] and I first came into contact during the middle of 2018. I was on tour with Jacob Wick and we passed through Santa Fe to play a show that Theo set up for us. This visit was my introduction to Theodore as a person as well as his music. […]
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The NRG
Live ’94
(self-released, 2021)

Something’s a little off about The NRG and its newly released Live ’94, LP, from its piss-take song titles (“The KLF,” “Earth Mother,” “Ralph Doesn’t Like Peas”) to its YouTube teaser — a crowd-enhanced clip that was uploaded a little over two years ago and left to lie dormant until today. And then there’s its mockumentary-like […]
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Lindstrøm &
Prins Thomas
III
(Smalltown Supersound, 2020)

Don’t let the title of the opening track on III fool you into thinking it’s a full-on “Grand Finale.” Judging by its slow-moving synth lines, blunted drum beats, and lounge pants loops, Lindstrøm and Prins Thomas sound more concerned with setting a “Serenity Now” scene than flooding a dance floor. And while the pace does pick up […]
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Windy & Carl
Antarctica
(Darla, 1997)

The need for ambient music isn’t new. Many would argue it goes all the way back to Satie and his singular form of “Furniture Music.” And then there are all the compilations — some crucial (Back to Mine, Late Night Tales), some corny (Buddha Bar anyone?) — that have passed through the pipeline in the […]
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Harold Budd
Perhaps
(Samadhisound, 2007)

As Harold Budd’s longtime friends and fans struggle to make sense of his passing this week, we’d like to point out a record that’s held in high regard by completists (see: its triple-digit price tag on Discogs) yet largely overlooked compared to his crucial Eno collabs (The Pearl, Ambient 2: The Plateaux of Mirror) and […]
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David Darling
Cello
(ECM, 1992)

When it comes to ECM Records, we’re more familiar with the iconic album covers of label founder Manfred Eicher than the many contemporary pieces he’s released since 1969. Or as New York Times writer Dana Jennings put it in a story about the Haus der Kunst exhibition ECM: A Cultural Archeology…. Most ECM covers these […]
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