Team

A Magazine for Craftmakers

concentric-records

Concentric Records
On… Insen and
Trans-Millenia Music

In the spirit of Concentric Records’ recent self-titled playlist, Simone Merli (Soundwalk Collective) and Luca Calo (Born In 1986) also broke two of their favorite ambient records down in detail. Both set the scene for the label’s opening gambit (the three-part compilation Profile of the Lines) beautifully, as if they’d just been asked to reveal […]
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dropsonde-reissue

Biosphere
Dropsonde
(Biophon Records, 2020)

The latest Biosphere LP to receive a proper reissue through the producer’s Biophon imprint may not be his most iconic effort (Cirque and Substrata land on more far more best-of lists), but that doesn’t make it any less essential. First teased in 2005 on Touch, the record started out as a six-track survey of slow-moving film […]
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Kelpe
Run With the Floating,
Weightless Stillness

(Drut, 2020)

Earlier this year, Kel McKeown regained the rights to an old Kelpe record (2010’s Margins 12”) and reissued it on his Bandcamp page with a revealing note: “This is what I used to sound like.” No kidding. While that EP revolves around neon-lit rhythms and laser-cut dance loops, Run With the Floating, Weightless Stillness — […]
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KMRU
Peel
(Editions Mego, 2020)

We first stumbled upon Joseph Kamaru’s womb-like world while reading a rundown of the records that helped Patricia Wolf deal with her mother-in-law’s death. “This song is a recent discovery for me,” she wrote of the revelatory KMRU single. “It resonates with the current place I am in with grief. It says to me, ‘Life […]
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Lisa Lerkenfeldt
Collagen
(Shelter Press, 2020)

We first stumbled upon Lisa Lerkenfeldt’s wild sound world while listening to the latest drop from Longform Editions, a Sydney label that asks guest artists to submit one long song to its series of “immersive listening experiences for the everyday.” According to Lerkenfeldt’s track notes, “29°” captures “the duality of the wind… at a post-industrial […]
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Eliane Radigue
Trilogie De La Morte
(XI, 1998)

Some people have noise machines. Others go to bat for guided meditation apps. Us, we can always rely on Eliane Radigue. A peerless, multi-faceted pioneer of atmospheric pressure since the early ’70s, Radigue started out exploring musique concrète and electroacoustic music with the two Pierres — Henry and Schaeffer — and shared a Morton Subotnick-built […]
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Otto A Totland
Pinô
(Sonic Pieces, 2014)

Otto A Totland isn’t nearly as prolific as his Deaf Center partner (Miasmah founder Erik Skodvin, a.k.a. Svarte Greiner). Never has been; never will be. In fact, he’s released just two solo records in the 15 years since the group’s stellar debut album Pale Ravine. And that’s okay. Quite appropriate actually, considering how loudly both […]
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Nailah Hunter On…
Duchenne Smile

Words NAILAH HUNTER Duchenne Smile (Geotic, 2009) was my favorite album to listen to as a young, romantic art-school student living in the suburbs back in 2011. I’d just moved out on my own for the first time and this album was the perfect soundtrack to accompany my newfound feeling that anything was possible. Composed mostly with […]
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David Darling
Cello
(ECM, 1992)

When it comes to ECM Records, we’re more familiar with the iconic album covers of label founder Manfred Eicher than the many contemporary pieces he’s released since 1969. Or as New York Times writer Dana Jennings put it in a story about the Haus der Kunst exhibition ECM: A Cultural Archeology…. Most ECM covers these […]
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Harold Budd
Perhaps
(Samadhisound, 2007)

As Harold Budd’s longtime friends and fans struggle to make sense of his passing this week, we’d like to point out a record that’s held in high regard by completists (see: its triple-digit price tag on Discogs) yet largely overlooked compared to his crucial Eno collabs (The Pearl, Ambient 2: The Plateaux of Mirror) and […]
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Windy & Carl
Antarctica
(Darla, 1997)

The need for ambient music isn’t new. Many would argue it goes all the way back to Satie and his singular form of “Furniture Music.” And then there are all the compilations — some crucial (Back to Mine, Late Night Tales), some corny (Buddha Bar anyone?) — that have passed through the pipeline in the […]
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